The ball signal is a B.E.S.T. (Bollinger Edgerly Scale Trains) model of the Whitefield Junction signal in New Hampshire. The signal is set to allow the narrow gauge to cross the Maine Central track. The shack is from Portland Locomotive Works and is based on a structure by Sam Swanson.
An HOn30 model railroad depicting the Monson RR, a six-mile-long "two-footer" that operated from 1883 to 1943 in Piscataquis County, Maine. The layout was born as a freelanced, Monson-inspired granite-hauling railroad set in coastal Maine, and is now being redesigned to follow the prototype as closely as possible in a limited space.
Tuesday, December 15, 2020
Ball signal
Saturday, September 5, 2020
Crossing the standard gauge
Track is now installed on the new section, including the broad 21" radius curve in the corner. I use yardsticks with holes drilled at 1" intervals to lay out my curves. Here one yardstick is clamped to the benchwork to find the center of the curve in the aisle, and another is being used to mark the track centerline. The shelf to the right is for the staging yard:
Since the Thomaston station is now located within the town itself, instead of outside of town as I originally planned, the railroad would have had to cross the Maine Central Rockport branch east of town. This could make for a neat scene, with a ball signal to control the crossing, so I decided to include it.
For the sake of reliability, I first glued down the narrow gauge track and then built the crossing in place using code 83 standard gauge track and rail. After laying ties made from styrene strip, the track sections were cut to fit and soldered to the narrow gauge track, and then short pieces of rail were cut, bent, and filed to form the guard rails and soldered inside the standard gauge rails.


Wednesday, August 26, 2020
Extending the layout
The Thomaston section has been sitting on my workbench for nearly two years, but I recently moved it back into the train room after finishing the masonite backdrop on the first two walls. The sky is blended using two Benjamin Moore colors: "aqua marina" at the top blending into "jet stream" at the bottom. I applied bands of each using brushes and then blended them with a roller leaving a smooth finish with some streakiness suggesting wispy clouds near the horizon. Later on I will add photo images of trees and other landscape details.
The backdrop sits on the shelf brackets and isn't actually attached to anything, just sandwiched between the layout and the wall. I glued 3/4" styrofoam panels to the back of the backdrop in between the shelving standards so that it stands an even distance from the wall all the way around. Screwing the layout sections to the shelf brackets locks everything in place.
Getting the first section back in place motivated me to work on the second section, which is a largely rural area with no sidings. The open-frame benchwork for this section had already been constructed using my usual technique of a 1/2" birch plywood frame and top covered with 2" foam. One thing I learned when building the first section is to avoid having corner curves cross a section boundary, so I added a small extension to accommodate the entire curve in this corner.
Ultimately the layout will extend along the right-hand wall to a quarry and harbor scene, but for now I plan to install a staging yard to allow me to run trains in and out of Thomaston.
Thursday, April 9, 2020
Trestle construction, part 3
The metal object between the rails is a RibbonRail gauge:
The abutments I made previously turned out to be too narrow for the approach fills. For the shorter abutment on the right-hand end, I was able to remove the top course from the taller abutment to substitute for the smaller one, but I then had to recast the larger (left-hand) one. The original larger casting was repurposed (upside-down) as a retaining wall, which is visible below the transfer crane in the last photo of the November 29 post.
Saturday, December 21, 2019
Trestle construction, part 2
Friday, November 29, 2019
A retaining wall for the transfer track
Here's a photo taken from the back of the layout showing how the wall looks after painting and installation. It also shows the ballast mix I'm experimenting with, which is two parts "pit run" to one part "NP gray" from Arizona Rock and Mineral.
For the transfer crane, I am using the Walthers "LCL container terminal" gantry crane but placing it on a fixed foundation rather than rails. In the following photo it is set in place temporarily as it is only half-finished. The kit is designed with metal walkways, which I am covering with stripwood for a more rustic look.
Saturday, November 9, 2019
Trestle construction, part 1
To mimic this look, I lightly scored the inside face at scale 12’ intervals and then made a deeper cut on the opposite side. Then I could gently bend each joint slightly without completely breaking it.
The inside stringer was scored at exact 12’ intervals, which is 42 mm in HO, and then the others were scored at 0.5 mm increments (42.5, 43, 43.5 mm) to account for the curve. Each pair of stringers is assembled with short pieces of scale 2x8 as spacers, and then the pairs are glued together with short 1/16" wide spacer blocks. I didn't bother to place the spacers in prototypical locations since they will be hidden by the bridge ties.
After the glue dried I trimmed the ends to length, installed nut-bolt-washer castings, and added short timber retaining walls at each end to hold back the fill at the top of the abutments.
It will be a couple of weeks before I can continue this build, but I'm looking forward to installing the trestle and finally getting started on scenery! And at some point I need to get back to that forney project.